There’s lots to like in Caleb Crain’s marvelous debut novel, Necessary Errors. This is a coming-of-age story of exiles and expats finding freedom in post-Velvet Revolution Prague.  In elegant prose and with great tenderness, Crain captures all the messiness of twenty-something lives, where exuberance and idealism collide with expectations and indiscretions.

 

But Crain’s talent isn’t limited to writing novels; for years now, his journalism and criticism have appeared in The New Yorker, The New York Review of Books, The Nation, The New York Times, the London Review of Books, The Paris Review Daily, and n+1.

 

Which is why I had to ask: What’s it like to be a critic-turned-novelist?